Auctions The Bill Thomas Collection

Type : Collectibles,Estate- Personal Property

: Aug 29, 2025 12:00 PM

: Sep 16, 2025 11:00 AM

4408 Erie Ave, Cincinnati, OH 45227
Enter Auction

431 Items


20% Buyer's Premium, No Sales Tax

Property Address: 4408 Erie Ave. Cincinnati OH 45227

Bidding Starts to Close: Tuesday, September 16, 2025, at 12pm Eastern

Preview: Monday, September 15th (9am-1pm) 

Pickup: Wednesday, September 17th and Thursday, September 18th (9am-4pm)

3rd Party Shippers:

  • UPS Store: (513) 677-9760 
  • Safe Ship: (859) 261-7447 


Feel free to reach out to these local 3rd Party shippers, or the shipper of your choice. Worley Auctioneers does not pack or ship, but we will assist your 3rd Party shipper during removal times.

Auction Manager: 

William Hesch

  • Mobile: (513) 444-6329
  • Email: william@worleyauctions.com 

Rookwood Pottery & Cincinnati: A Love Story in Clay

Walk through Cincinnati and you’ll find Rookwood everywhere—on mantels and fireplaces, in tiled rooms and public spaces, and proudly displayed in museums. Founded here in 1880 by Maria Longworth Nichols Storer, Rookwood didn’t just make pottery; it made Cincinnati a capital of American art pottery and helped launch generations of local artists.

A pioneering beginning

Maria Longworth Nichols Storer—painter, patron, and Cincinnati native—created Rookwood at a time when women rarely led manufacturing enterprises. She gathered chemists, potters, and decorators under one roof and pushed American ceramics beyond utility into fine art. Early work was produced in Over-the-Rhine; today Rookwood is back in that neighborhood, operating at 1920 Race Street and continuing the city’s century-plus tradition of studio craft.

Putting Cincinnati on the world stage

Rookwood’s experiment quickly turned into global acclaim. At the Paris Exposition Universelle of 1900, the company won the Grand Prize—an international stamp of excellence that vaulted Cincinnati ceramics into the spotlight. One celebrated vase decorated by Japanese-born Rookwood artist Kataro Shirayamadani took a grand prize in Paris and now resides in a major museum collection.


Where to see Rookwood around town

The city still wears Rookwood proudly. Cincinnati Union Terminal’s famous Rookwood Ice Cream Parlor (originally a 1933 tea room) is wrapped in handcrafted tile—an immersive example of how the studio’s craft shaped local architecture. And the Cincinnati Art Museum holds hundreds of Rookwood works, with many on regular view in the Cincinnati Wing.

Hand-decorated—and signed—by artists

Rookwood’s magic lies in the way individual decorators turned each form into a one-of-a-kind painting in glaze. Many works were hand-decorated and signed or monogrammed by the artist, a tradition that still thrills collectors because the signature ties the piece to a specific creative vision.

 

Because each decorator had distinctive subjects and techniques, the artist’s signature or cipher is often the single biggest driver of value for antique Rookwood. Identifying the decorator is step one in assessing collectability.

The glaze lines collector’s chase

Rookwood wasn’t just about picture-perfect decoration; it was a chemistry lab of color and light. Early Standard glaze (a rich, transparent brown that sets off florals) gave way to experiments like Iris (opalescent/“Black Iris”) and the atmospheric, watercolor-like Vellum matte line—glazes that earned awards at world’s fairs and still define Rookwood’s look today.

How to read Rookwood marks (and why it matters)

On the base you’ll usually find the iconic back-to-back “RP” with surrounding “flames” and, opost-1900 pieces, Roman numerals for the year. You’ll also see a shape number, a size letter, and very often the artist’s cipher (e.g., “SX” for Sara Sax, conjoined “ETH” for E.T. Hurley). Those marks are a roadmap for date, form, and decorator—gold for collectors.


Why signed Rookwood brings stronger prices

Auction records consistently show premiums for signed works by major decorators. That’s because signatures connect a piece to a known hand, with recognized styles, rarer subjects, and documented museum examples. In short: the artist’s mark turns a beautiful pot into a documented artwork—and the market responds accordingly.


Lasting impact on Cincinnati

Rookwood helped shape Cincinnati’s identity as a craft city. It trained and employed many women artists(often Art Academy alumnae), fed local design firms with tiles and architectural elements, and left a visible legacy in public and private spaces throughout the region. The renewed studio in Over-the-Rhine keeps that story alive—still hand-crafting tiles, mantels, and art pottery right here.

Why this matters for your auction

Our current Rookwood Pottery collection includes many artist-signed pieces—the kinds of works that collectors seek out because the signature, date, glaze, and subject all align to tell a complete story. If youlove Cincinnati history, you’re not just buying décor; you’re acquiring named artworks that capture the city’s creative spirit.

 

Browse the catalog and look closely at the bases—those marks and signatures are where the history lives.

Rookwood Artist Spotlights (featured in our auction)


Edward G. “Ed” Diers (at Rookwood 1896–1931)

Cincinnati-trained (Ohio Mechanics Institute & Art Academy), Diers is admired for atmospheric Vellum landscapes and large scenic plaques. Look for his “ED” cipher—signed examples carry a premium with landscape collectors. 

Carrie (Carolyn Frances) Steinle (decorator 1892–1925)

A Cincinnati native who started at the pottery as a teen, Steinle decorated across Standard, Iris, and Vellum lines. Her hand is associated with refined florals; period sources credit her among the women who made Rookwood a success. Signed pieces from her long tenure are very desirable.

Lorinda Epply (decorator 1904–1948)

Art Academy– and Columbia-trained, Epply worked in many glazes but is especially prized for gentle pastels in Jewel Porcelain. Her four-decade run means strong variety; watch for her signature on porcelain forms and soft floral garlands.

Frederick (Fred) Rothenbusch (decorator 1896–1931)

Another Cincinnati Art Academy alum, Rothenbusch specialized in Vellum scenic vases—moody, misty landscapes that epitomize Arts & Crafts taste. His “FR” cipher and vellum date codes (e.g., 1920s Roman numerals) are key value markers.

Kate C. “Kitty” Matchette (decorator 1892–1893)

A short but distinctive career: you’ll find her work mostly on Standard Glaze, sometimes paired with Gorham silvermounts. Because she decorated so briefly, signed Matchette pieces can be scarcer—check for her cipher on early-1890s forms.

Amelia B. Sprague (decorator 1887–1903)

Cincinnati-born, Sprague favored Standard Glaze and a thicker under-slip approach that gives depth to florals and cameos. Her artist-incised monogram on 1890s pieces is a strong collecting signal.

Alice Willits (decorator 1906–1907)

Often (mis)spelled “Willett,” Willits decorated briefly, with Standard Glaze florals and small cabinet forms.The short window means fewer examples—so an artist-signed Willits can be a savvy niche pick.

Rose Fechheimer (decorator 1896–1906)

Cincinnati Art Academy alumna; decorated primarily in Standard and Iris glazes. Her signed work spans carved matte to elegant florals; watch bases for her cipher and late-1890s/early-1900s date marks.

















AUCTION TERMS


For the purposes of these Terms & Conditions, the following is defined as a matter of convenience:

(Worley, Auctioneer, Auctioneers, we, us ) means Worley Auctioneers & Appraisers, Inc., an Ohio corporation


BUYERS PREMIUM: 

A 20% buyer's premium will be added to each purchase, no matter the form of your payment. For example, if your bids total $100.00 at check-out, you will be charged $120.00. 

 

AUCTION:

Before bidding on any Item or Lot, Bidder is solely responsible for becoming fully familiar with the auction process.

Item descriptions are disclosed to the very best of Auctioneer's knowledge. Bidder is solely responsible for investigating and determining the accuracy of such statements.

Bidder releases, waives, and discharges Worley for any and all claims arising out of, involving, or associated with a Lot description. Bidder shall reimburse Worley for any costs and/or expenses (including, but not limited to, reasonable attorneys’ fees) that Worley incurs in defending any Bidder’s claim arising out of, involving, or associated with, a Lot description.

 

PAYMENT: 

Cash, Wire Transfer or Credit Card Only.

Visa / Master Card / Discover / American Express. Also, please note anyone outside of the United States must pay by wire transfer. Transactions above $10,000 must be by wire transfer or physical cash. Checks or money orders of any kind are not accepted.

 

SHIPPING:

Shipping and/or moving arrangements are your responsibility. Please note that all items must be picked up during the published removal times, so make sure that any shipper or agent whom you engage is aware of the pick-up times.  


TIME OF PAYMENT: 

All payments are due within 24 hours of the auction closing.  For transactions under $10,000, your credit card on file will be automatically charged for your full invoice amount at the conclusion of the auction. If you’d otherwise like to pay by cash or wire transfer, however, you must send the Auction Manager an email prior to the beginning of the Auction Closing so your bidder number can be properly flagged. Please note such email must include your bidder number in the subject line. Please note there are no discounts for paying by cash or wire. 

 

TAX: 

This is a casual sale under Ohio law. There is no sales tax. 

 

IMPORTANT: 

This is a Timed Online Auction. Please do not bid if you are unable to remove your items during the scheduled removal times. No refunds will be issued nor charge-backs granted due to failure to remove items at the pre-designated times. After the scheduled removal, items will be considered abandoned, and you will be charged a removal fee for disposal of your items. 


REGISTRATION DEPOSIT: 

In order to participate in any auction, Worley Auctioneers & Appraisers, Inc., requires a $25 registration deposit by major Credit Card prior to bidding. The $25 is not charged, it is merely an authorization held by your financial institution- although it may appear as a pending transaction on your account. It is released by us at the conclusion of the auction, but depending on the policies and procedures of your financial institution, may not appear available for three to ten business days. Since the $25 is only an authorization, it will not be applied toward your purchases, nor will you be penalized if you do not make any purchases. This is a completely separate transaction from items purchased in the auction. Authorization by credit card at the time of Registration is an Industry Standard Practice among online auctioneers. 

 

USE CAUTION: 

Please be aware that bidders sometimes increase their own bid to price an item out of reach of other bidders. You should immediately review your bids once submitted. If you mistakenly increase your own bid, place your bidder number in the bid field, or make a typographical error, you must immediately contact our office by email. Use the contact sheet on our website (we must have your request in writing). We will not reverse bids after the auction has closed.

 

STAGGERED CLOSING: 

The online auction closes at intervals of five (5) items per minute, or as otherwise announced by e-mail or published on the website on the day of sale. This feature, in concert with the Dynamic Closing element, closely emulates a 'live' auction. 

 

DYNAMIC CLOSING: 

The closing time of an item is automatically extended an additional 3 minutes whenever a bid is placed within the last 3 minutes of the item's closing time. For example: if an item is set to close at 2:00pm, and a bidder places a bid on the item at 1:58pm, the item's closing time will be extended to 2:03pm. If another bid is placed at 12:01pm, the item's closing time will be extended to 12:06pm, and so on. It is therefore important to monitor items you’re bidding on by regularly refreshing the page as the auction nears closing. 

 

BID NOTIFICATION:

If you have been outbid you will be notified by email only until the last day of the auction --- starting at midnight Eastern time on the date of auction closing notices are not sent. To quickly review your bids and see if you have won you can utilize the “Review Bids” feature. Items on which you have been outbid on will be clearly marked. 

 

WINNING BIDDER NOTIFICATION: 

Winning bidders will be sent an electronic invoice by email ONLY (you are responsible for checking your email). If you feel you have won an item and have not received an email you must notify us by email no later than 9am the next day. If you do not receive an electronic invoice, then you did not win any items at the online auction. 

 

CLAIMS AND RECOVERY: 

In the event an item is not available for pickup, you must notify our on-site staff and file a claim by replying to your original emailed invoice noting what was not available within 24 hours of the pickup date. After 24 hours, the Auctioneer and Bidder agree that no adjustment or refund will be made. 

 

CAUTION: 

For demonstration purposes various equipment may be joined. Do not assume a lot consists of more than one item simply because they are connected or pictured together. Please inspect the lot numbers and read the descriptions. 

 

CATALOG INACCURACIES: 

You are bidding on the described item- not the photograph. Occasionally, the wrong photo is displayed or a substantially similar item is photographed. Always read the item description, and we encourage you to attend our preview/inspection events. Dimensions and quantity counts are approximate; if exact size or quantity is an issue for you, then come to the preview with a tape measure! 

 

WARRANTY & CONDITION OF ITEMS SOLD: 

All items are sold "AS IS, WHERE IS, with NO WARRANTY expressed or implied by the lot number affixed to the item, without any implied or expressed warranty. Keep in mind that these items are used and may have light surface scratches and or dents / dings. Preview is suggested in order to gauge the condition of each piece. Descriptions are made in good faith and believed to be accurate, but not guaranteed. When you are not certain of the condition or use of an item, please bid accordingly. With respect to specialty items such as antiques, vehicles, and fine art, all descriptions are made in good faith, but such descriptions do not warrant authenticity, grading, or condition. Preview is recommended to gauge the exact nature and condition of all items.

 

REMOVAL: 

Bidders are responsible for their own removal. Any item not picked up by the set time will be considered abandoned. Removal shall be at the expense, liability, and risk of the purchaser. Purchases will be released upon presentation of a paid email receipt and Third Party Release Form (if applicable) with photo identification. Please insure that movers or anyone picking up items on your behalf have your paid receipt at the pickup location. No items will be released without a paid email receipt. 

 

IMPORTANT! 

The Auctioneer will have the option of reselling, removing, storing or abandoning, at the expense and risk of the purchaser, items not paid for and/or removed within the specific time. The buyer agrees to pay all deficiencies, legal, collection; transportation and storage expenses associated with delinquent accounts or abandoned items. 

 

CHOOSE WISELY: 

We want everyone to get a good deal, and most will. However, when you bid on the wrong item or decide an item is not suited for your intended use, our clients are not willing to assume the cost of your mistakes. When in doubt about condition, completeness or suitability for intended use, please bid accordingly.

 

CERTAIN RIGHTS RESERVED: 

The Auctioneer reserves the right to add or remove items from the auction; split or combine lots; add minimum bids or reserve prices; cancel, suspend, extend or reschedule an individual item and/or auction event; make changes to the auction closing times or inspection or removal times. Unless specifically stated that an auction is “Absolute”, all auctions are presumed to be with reserve.  Auctioneer reserves the right to bid on behalf of a seller or in a personal capacity. 


ONLINE BIDDING SOFTWARE OR INTERNET CONNECTION ISSUES:

If a Bidder experiences technical issues with the 3rd party online bidding software, or has internet connection issues which may prevent a bid from being communicated to the Auctioneer, Auctioneer has sole discretion and authority to declare a lot sold, or not sold. In the event of a dispute between the Auctioneer and any one or more bidders, the decision of the Auctioneer shall be final and absolute. Bidder holds Auctioneer harmless for any 3rd party software related or internet connection issues, actual or alleged. 

 

ARBITRATION: 

Any controversy or claim arising out of or relating to this contract and/or agreement, or breach thereof, shall be settled by arbitration in accordance with the Commercial Arbitration Rules of the American Arbitration Association, and judgments upon the award rendered by the arbitrator(s) may be entered in any court having jurisdiction thereof. Venue will be Warren County Ohio. 

 

LIABILITY: 

Auctioneer’s and Seller’s liability shall be limited to the refund of bidder’s purchase price. By registering and participating in this auction, you specifically disclaim any other claim available at law or in equity. 

 

LIMITATIONS: 

The above stated Terms cannot be altered except in writing by the Auctioneer. 

 

REGISTRATION INSTRUCTIONS: 

First. you need to register to bid. Go to the registration page or click the “Register” button above. Once you submit your information, you will receive an email with your bidder number and you will use the password that you created. Then go to the catalog, place your bids. Also, you can utilize the MAXBID system where you can put in your starting bid and your highest bid. Your maximum bid is confidential and the software will bid up to that point only if other bids are received.